ื‘ืกืดื“

Kavanot: Sefer Tehillim

Thoughts on Tanach and the Davening

ื“ื•ื“ ื›ืชื‘ ืกืคืจ ืชื”ืœื™ื ืขืดื™ ืขืฉืจื” ื–ืงื ื™ื: ืขืดื™ ืื“ื ื”ืจืืฉื•ืŸ, ืขืœ ื™ื“ื™ ืžืœื›ื™ ืฆื“ืง, ื•ืขืœ ื™ื“ื™ ืื‘ืจื”ื, ื•ืขืดื™ ืžืฉื”, ื•ืขืœ ื™ื“ื™ ื”ื™ืžืŸ, ื•ืขืดื™ ื™ื“ื•ืชื•ืŸ, ื•ืขืœ ื™ื“ื™ ืืกืฃ, ื•ืขืœ ื™ื“ื™ ืฉืœืฉื” ื‘ื ื™ ืงืจื—.

ื‘ื‘ื ื‘ืชืจื ื™ื“,ื‘-ื˜ื•,ื

ื›ืžื’ื“ืœ ื“ื•ื™ื“ ืฆื•ืืจืš, ื‘ื ื•ื™ ืœืชืœืคื™ื•ืช (ืฉื™ืจ ื”ืฉื™ืจื™ื ื“:ื“) ืžื”ื• ืชืœืคื™ื•ืช? ืกืคืจ ืฉืืžืจื• ืœื• ืคื™ื•ืช ื”ืจื‘ื”. ืขืฉืจื” ื‘ื ื™ ืื“ื ืืžืจื• ืกืคืจ ืชื”ื™ืœื™ืโ€Ž: ืื“ื ื”ืจืืฉื•ืŸ, ื•ืื‘ืจื”ื, ืžืฉื”, ื•ื“ื•ื“, ื•ืฉืœืžื”โ€ฆืจื‘ ืืžืจ, ืืกืฃ, ื•ื”ื™ืžืŸ, ื•ื™ื“ื•ืชื•ืŸ, ื•ืฉืœืฉื” ื‘ื ื™ ืงืจื—, ื•ืขื–ืจื.

ืฉื™ืจ ื”ืฉื™ืจื™ื ืจื‘ื” ื“:ื’

ืืžืจ ืจื™ื‘ืดืœ ื‘ืขืฉืจื” ืžืืžืจื•ืช ืฉืœ ืฉื‘ื— ื ืืžืจ ืกืคืจ ืชื”ืœื™ื ื‘ื ื™ืฆื•ื— ื‘ื ื’ื•ืŸ ื‘ืžืฉื›ื™ืœ ื‘ืžื–ืžื•ืจ ื‘ืฉื™ืจ ื‘ืืฉืจื™ ื‘ืชื”ืœื” ื‘ืชืคืœื” ื‘ื”ื•ื“ืื” ื‘ื”ืœืœื•ื™ึพื” ื’ื“ื•ืœ ืžื›ื•ืœืŸ.

ืคืกื—ื™ื ืงื™ื–,ื‘

ืชื™ืงื•ื ื™ ื–ื”ืจ has a different list of the ten ืžืืžืจื•ืช ืฉืœ ืฉื‘ื— in ืชื™ืงื•ืŸ ื™ื’, corresponding to the ten ืกืคื™ืจื•ืช. Our text is missing the tenth, but (according to the commentary in Ashlagโ€™s HaSulam) it is printed in ื–ื”ืจ ื—ื“ืฉ ืงื›ื—,ื‘. As summarized by ื“ื ื™ืืœ ืคืจื™ืฉ:

ื) ืืฉืจื™ ื”ืื™ืฉ โ€ืืฉืจื™โ€œ ืจืืฉ ื™ืณ ืกื•ื“ ื”ื›ืชืจ. ื‘) ืฉื™ืจ ืœืžืขืœื•ืช โ€ืฉื™ืจโ€œ ืฉืจ ื™ืณ ืกื•ื“ ื”ื—ื›ืžื”โ€ฆ ื’ ) ื‘ืจื›ื™ ื ืคืฉื™ โ€ื‘ืจื›ื”โ€œ ืฉื”ื™ื ื‘ื‘ื™ื ื”. ื“ ) ืžื–ืžื•ืจ ืฉื™ืจื• ืœื”ืณ โ€ืžื–ืžื•ืจโ€œ ื”ื•ื ื‘ื—ืกื“. ื”) โ€ื ื’ื•ืŸโ€œ ื•ื”ื•ื ื‘ื’ื‘ื•ืจื”. ื•) โ€ื”ืœืœื•ื™ึพื”โ€œ โ€ื”ืœืœื•ื”ื•โ€œ ื•ื”ื ื‘ืชืคืืจืช. ื–) ืœืžื ืฆื— โ€ื ืฆื•ื—โ€œ ื•ื”ื•ื ื‘ื ืฆื—. ื—) ื”ื•ื“ื• ืœื”, โ€ื”ื•ื“ืื”โ€œ ื•ื”ื•ื ื‘ื”ื•ื“ . ื˜) ืจื ื ื• ืฆื“ื™ืงื™ื โ€ืจื ื”โ€œ ื•ื”ื•ื ื‘ื™ืกื•ื“. ื™) ืชืคืœื” ืœื“ื•ื“ โ€ืชืคืœื”โ€œ ื•ื”ื™ื ื‘ืžืœื›ื•ืช.

ื“ื ื™ืืœ ืคืจื™ืฉ, ืžืชื•ืง ืžื“ื‘ืฉ ืขืœ ืชื™ืงื•ื ื™ ื–ื”ืจ ื™ื’, ื“ืฃ ื›ื˜,ื‘, ืขืžืณ ืชืกื

I really want to pair ืฉื™ืจ and ืžื–ืžื•ืจ with each other, and I would associate ื‘ืจื›ื” with ื—ืกื“, so ืœื•ืœื ื“ืžืกืชืคื™ื ื I would put the order as:

ืžืืžืจ ืฉืœ ืฉื‘ื— ืกืคื™ืจื”
ืื™ืฉื•ืจ ื›ืชืจ
ืฉื™ืจ ื—ื›ืžื”
ื–ืžืจ ื‘ื™ื ื”
ื‘ืจื›ื” ื—ืกื“
ื ื’ื•ืŸ ื’ื‘ื•ืจื”
ื”ืœืœ ืชืคืืจืช
ื ืฆื•ื— ื ืฆื—
ื”ื•ื“ืื” ื”ื•ื“
ืจื™ื ื” ื™ืกื•ื“
ืชืคืœื” ืžืœื›ื•ืช

Nine perakim have no ืžืืžืจ ืฉืœ ืฉื‘ื— in this model: ื›ื”,โ€Ž ื›ื•,โ€Ž ื›ื–,โ€Ž ื›ื—,โ€Ž ืœื”,โ€Ž ืœื–,โ€Ž ืงืœื— and ืงืžื“ are simply ืœื“ื•ื“, and ืขื‘ is just ืœืฉืœืžื”.โ€Ž ืชื”ื™ืœื™ื ืงืœื– I would classify as a ื‘ื›ื™ (it really doesnโ€™t fit with the rest of ืกืคืจ ืชื”ื™ืœื™ื). There are two other apparent ืžืืžืจื•ืช ืฉืœ ืฉื‘ื— that are not in this model: ืžื›ืชื (which appears by itself in ื˜ื–) and ืžืฉื›ื™ืœ (which appears by itself in ืœื‘,โ€Ž ืขื“,โ€Ž ืขื— and ืคื˜). Usually these are in combination with other forms, but I donโ€™t know how to fit them into this model when they are on their own. Probably consider ืžื›ืชื and ืžืฉื›ื™ืœ as descriptions like the instruments, and those perakim as simply ืœื“ื•ื“ or ืœืืกืฃ or ืœืื™ืชืŸ psalms.

Perakim ืฆื’,โ€Ž ืฆื“,โ€Ž ืฆื– and ืฆื˜ have no ืžืืžืจ ืฉืœ ืฉื‘ื— but they are attributed to Moshe, so I would not put them into this model. ืงื™ื“ through ืงื™ื– have no ื›ื•ืชืจืช, and I would consider them all part of the sequence of ื”ืœืœ that starts with ืงื™ื’. Perakim ื‘,โ€Ž ื™,โ€Ž ืžื’ and ืขื have no ื›ื•ืชืจืช, and I would similarly consider each of them the second half of the previous perek.

Perek ืžืืžืจ ืฉืœ ืฉื‘ื— Attribution (ืœึฐ) Instrument (ืขึทืœ) Other Introduction History Closing
ื ืืฉืจื™
ื‘ continuation ืืฉืจื™
ื’ ืžื–ืžื•ืจ ืœื“ื•ื“
ื“ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“ (ื‘)ื ื’ื™ื ื•ืช
ื” ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“ ืืœ ื”ื ื—ื™ืœื•ืช
ื• ืœืžื ืฆื— ื‘ื ื’ื™ื ื•ืช ืžื–ืžื•ืจ ืœื“ื•ื“ ื”ืฉืžื™ื ื™ืช
ื– ืฉืจ ืœื“ื•ื“ ืฉื’ื™ื•ืŸ ืืฉืจ ืฉืจ ืœื”ืณ ืขืœ ื“ื‘ืจื™ ื›ื•ืฉ ื‘ืŸ ื™ืžื™ื ื™
ื— ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“ ื”ื’ืชื™ืช
ื˜ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“ ืขืœ ืžื•ืช ืœื‘ืŸ
ื™ continuation
ื™ื ืœืžื ืฆื— ืœื“ื•ื“
ื™ื‘ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“ ื”ืฉืžื™ื ื™ืช
ื™ื’ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“
ื™ื“ ืœืžื ืฆื— ืœื“ื•ื“
ื˜ื• ืžื–ืžื•ืจ ืœื“ื•ื“
ื˜ื– none ืœื“ื•ื“ ืžื›ืชื
ื™ื– ืชืคืœื” ืœื“ื•ื“
ื™ื— ืœืžื ืฆื— ืœื“ื•ื“ ืœืขื‘ื“ ื”ืณ ืืฉืจ ื“ื‘ืจ ืœื”ืณ ืืช ื“ื‘ืจื™ ื”ืฉื™ืจื” ื”ื–ืืช ื‘ื™ื•ื ื”ืฆื™ืœ ื”ืณ ืื•ืชื• ืžื›ืฃ ื›ืœ ืื™ื‘ื™ื• ื•ืžื™ื“ ืฉืื•ืœ
ื™ื˜ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“
ื› ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“
ื›ื ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“
ื›ื‘ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“ ืื™ืœืช ื”ืฉื—ืจ
ื›ื’ ืžื–ืžื•ืจ ืœื“ื•ื“
ื›ื“ ืžื–ืžื•ืจ ืœื“ื•ื“
ื›ื” none ืœื“ื•ื“
ื›ื• none ืœื“ื•ื“
ื›ื– none ืœื“ื•ื“
ื›ื— none ืœื“ื•ื“
ื›ื˜ ืžื–ืžื•ืจ ืœื“ื•ื“
ืœ ืžื–ืžื•ืจ ืฉื™ืจ ืœื“ื•ื“ ื—ื ื›ืช ื”ื‘ื™ืช
ืœื ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“
ืœื‘ none ืœื“ื•ื“ ืžืฉื›ื™ืœ
ืœื’ ืจื ื ื•
ืœื“ ืื‘ืจื›ื” ืœื“ื•ื“ ื‘ืฉื ื•ืชื• ืืช ื˜ืขืžื• ืœืคื ื™ ืื‘ื™ืžืœืš ื•ื™ื’ืจืฉื”ื• ื•ื™ืœืš
ืœื” none ืœื“ื•ื“
ืœื• ืœืžื ืฆื— ืœื“ื•ื“ ืœืขื‘ื“ ื”ืณ
ืœื– none ืœื“ื•ื“
ืœื— ืžื–ืžื•ืจ ืœื“ื•ื“ ืœื”ื–ื›ื™ืจ
ืœื˜ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“ ืœื™ื“ื™ืชื•ืŸ
ืž ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“
ืžื ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“ ื‘ืจื•ืš ื”ืณ ืืœืงื™ ื™ืฉืจืืœ ืžื”ืขื•ืœื ื•ืขื“ ื”ืขื•ืœื ืืžืŸ ื•ืืžืŸ
ืžื‘ ืœืžื ืฆื— ืœื‘ื ื™ ืงืจื— ืžืฉื›ื™ืœ
ืžื’ continuation
ืžื“ ืœืžื ืฆื— ืžืฉื›ื™ืœ ืœื‘ื ื™ ืงืจื—
ืžื” ืœืžื ืฆื— ืฉื™ืจ ืœื‘ื ื™ ืงืจื— ืฉืฉื ื™ื ืžืฉื›ื™ืœ ื™ื“ื™ื“ืช
ืžื• ืœืžื ืฆื— ืฉื™ืจ ืœื‘ื ื™ ืงืจื— ืขืœืžื•ืช
ืžื– ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื‘ื ื™ ืงืจื—
ืžื— ืฉื™ืจ ืžื–ืžื•ืจ ืœื‘ื ื™ ืงืจื—
ืžื˜ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื‘ื ื™ ืงืจื—
ื  ืžื–ืžื•ืจ ืœืืกืฃ
ื ื ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“ ื‘ื‘ื•ื ืืœื™ื• ื ืชืŸ ื”ื ื‘ื™ื ื›ืืฉืจ ื‘ื ืืœ ื‘ืช ืฉื‘ืข
ื ื‘ ืœืžื ืฆื— ืœื“ื•ื“ ืžืฉื›ื™ืœ ื‘ื‘ื•ื ื“ื•ืื’ ื”ืื“ืžื™ ื•ื™ื’ื“ ืœืฉืื•ืœ ื•ื™ืืžืจ ืœื• ื‘ื ื“ื•ื“ ืืœ ื‘ื™ืช ืื—ื™ืžืœืš
ื ื’ ืœืžื ืฆื— ืœื“ื•ื“ ืžื—ืœืช ืžืฉื›ื™ืœ
ื ื“ ืœืžื ืฆื— ืœื“ื•ื“ (ื‘)ื ื’ื™ื ื•ืช ืžืฉื›ื™ืœ ื‘ื‘ื ื”ื–ื™ืคื™ื ื•ื™ืืžืจื• ืœืฉืื•ืœ ื”ืœื ื“ื•ื“ ืžืกืชืชืจ ืขืžื ื•
ื ื” ืœืžื ืฆื— ืœื“ื•ื“ (ื‘)ื ื’ื™ื ื•ืช ืžืฉื›ื™ืœ
ื ื• ืœืžื ืฆื— ืœื“ื•ื“ ื™ื•ื ืช ืืœื ืจื—ืงื™ื ืžื›ืชื ื‘ืื—ื– ืื•ืชื• ืคืœืฉืชื™ื ื‘ื’ืช
ื ื– ืœืžื ืฆื— ืœื“ื•ื“ ืžื›ืชื ืืœ ืชืฉื—ืช ื‘ื‘ืจื—ื• ืžืคื ื™ ืฉืื•ืœ ื‘ืžืขืจื”
ื ื— ืœืžื ืฆื— ืœื“ื•ื“ ืžื›ืชื ืืœ ืชืฉื—ืช
ื ื˜ ืœืžื ืฆื— ืœื“ื•ื“ ืžื›ืชื ืืœ ืชืฉื—ืช ื‘ืฉืœื— ืฉืื•ืœ ื•ื™ืฉืžืจื• ืืช ื”ื‘ื™ืช ืœื”ืžื™ืชื•
ืก ืœืžื ืฆื— ืœื“ื•ื“ ืฉื•ืฉืŸ ืขื“ื•ืช ืžื›ืชื ืœืœืžื“ ื‘ื”ืฆื•ืชื• ืืช ืืจื ื ื”ืจื™ื ื•ืืช ืืจื ืฆื•ื‘ื” ื•ื™ืฉื‘ ื™ื•ืื‘ ื•ื™ืš ืืช ืื“ื•ื ื‘ื’ื™ื ืžืœื— ืฉื ื™ื ืขืฉืจ ืืœืฃ
ืกื ืœืžื ืฆื— ืœื“ื•ื“ ื ื’ื™ื ืช
ืกื‘ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“ ื™ื“ื•ืชื•ืŸ
ืกื’ ืžื–ืžื•ืจ ืœื“ื•ื“ ื‘ื”ื™ื•ืชื• ื‘ืžื“ื‘ืจ ื™ื”ื•ื“ื”
ืกื“ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“
ืกื” ืœืžื ืฆื— ืžื–ืžื•ืจ ืฉื™ืจ ืœื“ื•ื“
ืกื• ืœืžื ืฆื— ืฉื™ืจ ืžื–ืžื•ืจ
ืกื– ืœืžื ืฆื— ืžื–ืžื•ืจ ืฉื™ืจ (ื‘)ื ื’ื™ื ื•ืช
ืกื— ืœืžื ืฆื— ืžื–ืžื•ืจ ืฉื™ืจ ืœื“ื•ื“ ื‘ืจื•ืš ืืœืงื™ื
ืกื˜ ืœืžื ืฆื— ืœื“ื•ื“ ืฉื•ืฉื ื™ื
ืข ืœืžื ืฆื— ืœื“ื•ื“ ืœื”ื–ื›ื™ืจ
ืขื continuation
ืขื‘ none ืœืฉืœืžื” ื‘ืจื•ืš ื”ืณ ืืœืงื™ื ืืœืงื™ ื™ืฉืจืืœ ืขืฉื” ื ืคืœืื•ืช ืœื‘ื“ื•: ื•ื‘ืจื•ืš ืฉื ื›ื‘ื•ื“ื• ืœืขื•ืœื ื•ื™ืžืœื ื›ื‘ื•ื“ื• ืืช ื›ืœ ื”ืืจืฅ ืืžืŸ ื•ืืžืŸ. ื›ืœื• ืชืคืœื•ืช ื“ื•ื“ ื‘ืŸ ื™ืฉื™
ืขื’ ืžื–ืžื•ืจ ืœืืกืฃ
ืขื“ none ืœืืกืฃ ืžืฉื›ื™ืœ
ืขื” ืœืžื ืฆื— ืžื–ืžื•ืจ ืฉื™ืจ ืœืืกืฃ ืืœ ืชืฉื—ืช
ืขื• ืœืžื ืฆื— ื‘ื ื’ื™ื ื•ืช ืžื–ืžื•ืจ ืฉื™ืจ ืœืืกืฃ
ืขื– ืœืžื ืฆื— ืžื–ืžื•ืจ ืœืืกืฃ ื™ื“ื•ืชื•ืŸ
ืขื— none ืœืืกืฃ ืžืฉื›ื™ืœ
ืขื˜ ืžื–ืžื•ืจ ืœืืกืฃ
ืค ืœืžื ืฆื— ืžื–ืžื•ืจ ืœืืกืฃ ืืœ ืฉืฉื ื™ื ืขื“ื•ืช
ืคื ืœืžื ืฆื— ืœืืกืฃ ื”ื’ืชื™ืช
ืคื‘ ืžื–ืžื•ืจ ืœืืกืฃ
ืคื’ ืฉื™ืจ ืžื–ืžื•ืจ ืœืืกืฃ
ืคื“ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื‘ื ื™ ืงืจื— ื”ื’ืชื™ืช
ืคื” ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื‘ื ื™ ืงืจื—
ืคื• ืชืคืœื” ืœื“ื•ื“
ืคื– ืžื–ืžื•ืจ ืฉื™ืจ ืœื‘ื ื™ ืงืจื—
ืคื— ืฉื™ืจ ืžื–ืžื•ืจ ืœืžื ืฆื— ืœื‘ื ื™ ืงืจื— ืœื”ื™ืžืŸ ื”ืื–ืจื—ื™ ืžื—ืœืช ืœืขื ื•ืช ืžืฉื›ื™ืœ
ืคื˜ none ืœืื™ืชืŸ ื”ืื–ืจื—ื™ ืžืฉื›ื™ืœ ื‘ืจื•ืš ื”ืณ ืœืขื•ืœื ืืžืŸ ื•ืืžืŸ
ืฆ ืชืคืœื” ืœืžืฉื” ืื™ืฉ ื”ืืœืงื™ื
ืฆื continuation
ืฆื‘ ืžื–ืžื•ืจ ืฉื™ืจ ืœื™ื•ื ื”ืฉื‘ืช
ืฆื’ none
ืฆื“ none
ืฆื” ื ืจื ื ื”
ืฆื• ืฉื™ืจื•
ืฆื– none
ืฆื— ืžื–ืžื•ืจ ืฉื™ืจื•
ืฆื˜ none
ืง ืžื–ืžื•ืจ ืœืชื•ื“ื”
ืงื ืžื–ืžื•ืจ ืœื“ื•ื“
ืงื‘ ืชืคืœื” ืœืขื ื™ ื›ื™ ื™ืขื˜ืฃ ื•ืœืคื ื™ ื”ืณ ื™ืฉืคืš ืฉื™ื—ื•
ืงื’ ื‘ืจื›ื™ ืœื“ื•ื“
ืงื“ ื‘ืจื›ื™ ื”ืœืœื•ื™ึพื”
ืงื” ื”ื•ื“ื• ื”ืœืœื•ื™ึพื”
ืงื• ื”ืœืœื•ื™ึพื” ื”ื•ื“ื• ื‘ืจื•ืš ื”ืณ ืืœืงื™ ื™ืฉืจืืœ ืžืŸ ื”ืขื•ืœื ื•ืขื“ ื”ืขื•ืœื ื•ืืžืจ ื›ืœ ื”ืขื ืืžืŸ ื”ืœืœื•ื™ึพื”
ืงื– ื”ื•ื“ื•
ืงื— ืฉื™ืจ ืžื–ืžื•ืจ ืœื“ื•ื“
ืงื˜ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“
ืงื™ ืžื–ืžื•ืจ ืœื“ื•ื“
ืงื™ื ื”ืœืœื•ื™ึพื”
ืงื™ื‘ ื”ืœืœื•ื™ึพื”
ืงื™ื’ ื”ืœืœื•ื™ึพื” ื”ืœืœื•ื™ึพื”
ืงื™ื“ continuation
ืงื˜ื• continuation ื”ืœืœื•ื™ึพื”
ืงื˜ื– continuation ื”ืœืœื•ื™ึพื”
ืงื™ื– continuation ื”ืœืœื•ื™ึพื”
ืงื™ื— ื”ื•ื“ื• ื”ื•ื“ื•
ืงื™ื˜ ืืฉืจื™
ืงื› ืฉื™ืจ ื”ืžืขืœื•ืช
ืงื›ื ืฉื™ืจ ืœืžืขืœื•ืช
ืงื›ื‘ ืฉื™ืจ ืœื“ื•ื“ ื”ืžืขืœื•ืช
ืงื›ื’ ืฉื™ืจ ื”ืžืขืœื•ืช
ืงื›ื“ ืฉื™ืจ ืœื“ื•ื“ ื”ืžืขืœื•ืช
ืงื›ื” ืฉื™ืจ ื”ืžืขืœื•ืช
ืงื›ื• ืฉื™ืจ ื”ืžืขืœื•ืช
ืงื›ื– ืฉื™ืจ ืœืฉืœืžื” ื”ืžืขืœื•ืช
ืงื›ื— ืฉื™ืจ ื”ืžืขืœื•ืช
ืงื›ื˜ ืฉื™ืจ ื”ืžืขืœื•ืช
ืงืœ ืฉื™ืจ ื”ืžืขืœื•ืช
ืงืœื ืฉื™ืจ ืœื“ื•ื“ ื”ืžืขืœื•ืช
ืงืœื‘ ืฉื™ืจ ื”ืžืขืœื•ืช
ืงืœื’ ืฉื™ืจ ืœื“ื•ื“ ื”ืžืขืœื•ืช
ืงืœื“ ืฉื™ืจ ื”ืžืขืœื•ืช
ืงืœื” ื”ืœืœื•ื™ึพื” ื”ืœืœื•ื™ึพื”
ืงืœื• ื”ื•ื“ื• ื”ื•ื“ื•
ืงืœื– ื‘ื›ื™ื ื• ืขืœ ื ื”ืจื•ืช ื‘ื‘ืœ
ืงืœื— ืื•ื“ืš ืœื“ื•ื“
ืงืœื˜ ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“
ืงืž ืœืžื ืฆื— ืžื–ืžื•ืจ ืœื“ื•ื“
ืงืžื ืžื–ืžื•ืจ ืœื“ื•ื“
ืงืžื‘ ืชืคืœื” ืœื“ื•ื“ ืžืฉื›ื™ืœ ื‘ื”ื™ื•ืชื• ื‘ืžืขืจื”
ืงืžื’ ืžื–ืžื•ืจ ืœื“ื•ื“
ืงืžื“ none ืœื“ื•ื“ ืืฉืจื™
ืงืžื” ืชื”ืœื” ืœื“ื•ื“
ืงืžื• ื”ืœืœื•ื™ึพื” ื”ืœืœื•ื™ึพื”
ืงืžื– ื”ืœืœื•ื™ึพื” ื”ืœืœื•ื™ึพื”
ืงืžื— ื”ืœืœื•ื™ึพื” ื”ืœืœื•ื™ึพื”
ืงืžื˜ ื”ืœืœื•ื™ึพื” ื”ืœืœื•ื™ึพื”
ืงื  ื”ืœืœื•ื™ึพื” ื”ืœืœื•ื™ึพื”

Shiurim

Perek Shiur
ื Saying โ€˜Nice Doggieโ€™
ื‘ Saying โ€˜Nice Doggieโ€™
ื’ Choosing Sides
ื“ Mixed Messages
ื” Mixed Messages
ื• Make Good Choices
ื– Fly Away Little Bird
ื— Mixed Messages
ื˜ Like a Hole in the Head
ื™ Like a Hole in the Head
ื™ื Fly Away Little Bird
ื™ื‘ Great Responsibility
ื™ื’ How Are the Mighty Fallen
ื™ื“ Real Haskalah
ื˜ื• Into Pruning Hooks
ื˜ื– Adding Insult to Injury
ื™ื– This Will Be on the Final
ื™ื— Rock of Ages
ื™ื˜ Let Me Count the Ways ืฉ
ื› Lions and Bears, Oh My
ื›ื There Is Too Much; Let Me Sum Up
ื›ื‘ Father of Peace
ื›ื’ The Valley of the Shadow of Death
ื›ื“ Zionism
ื›ื” Father of Peace
ื›ื• This Will Be on the Final
ื›ื– The Best of Times, The Worst of Times
ื›ื— Talking Kings and Successions
ื›ื˜ The Way of All Flesh
ืœ The Madness of King Saul
ืœื The Valley of the Shadow of Death
ืœื‘ Where the Penitent Stand
ืœื’ Hair Today, Gone Tomorrow
ืœื“ Panacea
ืœื” No Good Deed Goes Unpunished
ืœื• The Best of Times, The Worst of Times
ืœื– Aequanimitas
ืœื— Splitting Heirs
ืœื˜ Baa, He Said Sheepishly
ืž The Pause that Refreshes
ืžื Les Liaisons Dangereuses
ืžื‘ Propaganda Piece
ืžื’ Propaganda Piece
ืžื“ Battle Royale
ืžื” Silly Love Songs
ืžื• Eschatology
ืžื– Eschatology
ืžื— Propaganda Piece
ืžื˜ Dumb Animals
ื  Quis Custodiet Ipsos Custodes
ื ื Peccavi
ื ื‘ Murder Most Foul
ื ื’ Real Haskalah
ื ื“ Ziph-A-Dee-Doo-Dah
ื ื” Frenemies
ื ื• I Know Why the Caged Bird Sings
ื ื– Just Deserts
ื ื— Along Came a Spider
ื ื˜ I Spy
ืก Taken with a Grain of Salt
ืกื To the Victor
ืกื‘ Paved with Good Intentions
ืกื’ Just Deserts
ืกื“ Mixed Messages
ืกื” Zionism
ืกื• The Power and the Glory
ืกื– The Power and the Glory
ืกื— Snow Business
ืกื˜ Drowning Sorrow
ืข Just Remember This
ืขื Just Remember This
ืขื‘ Crowning Glory
ืขื’ Pride Goeth Before a Fall
ืขื“ Fear of Abandonment
ืขื” Pride Goeth Before a Fall
ืขื• Pride Goeth Before a Fall
ืขื– Fear of Abandonment
ืขื— Politically Incorrect
ืขื˜ Future History
ืค Letโ€™s Get Together
ืคื Letโ€™s Get Together
ืคื‘ Quis Custodiet Ipsos Custodes
ืคื’ Future History
ืคื“ Propaganda Piece
ืคื” Eschatology
ืคื• Once Upon a Midnight Dreary
ืคื– Eschatology
ืคื— A Cry in the Dark
ืคื˜ A Cry in the Dark
ืฆ Three Score and Ten
ืฆื Three Score and Ten
ืฆื‘ One Day at a Time
ืฆื’ The King and I
ืฆื“ One Day at a Time
ืฆื” Variations on a Theme
ืฆื• AltNeuLeid
ืฆื– The King and I
ืฆื— Variations on a Theme
ืฆื˜ The King and I
ืง Gratitude
ืงื The Way of All Flesh
ืงื‘ Battle Royale
ืงื’ Looking Back
ืงื“ High Technology
ืงื” Praise the L-rd
ืงื• Browsing History
ืงื– Gratitude
ืงื— Talking Kings and Successions
ืงื˜ Days of Our Wives
ืงื™ Donโ€™t Worry, Be Happy
ืงื™ื Donโ€™t Worry, Be Happy and Imitatio Dei
ืงื™ื‘ Donโ€™t Worry, Be Happy and Imitatio Dei
ืงื™ื’ ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœโ€Ž and ื”ืœืœ ื”ืžืฆืจื™ and Evangelism
ืงื™ื“ ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœโ€Ž and ื”ืœืœ ื”ืžืฆืจื™ and In the Image Of
ืงื˜ื• ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœโ€Ž and ื”ืœืœ ื”ืžืฆืจื™ and In the Image Of
ืงื˜ื– ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœโ€Ž and ื”ืœืœ ื”ืžืฆืจื™ and This Time Itโ€™s Personal
ืงื™ื– ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœโ€Ž and ื”ืœืœ ื”ืžืฆืจื™ and Evangelism
ืงื™ื— Give Thanks Unto the L-rd and ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœโ€Ž and ื”ืœืœ ื”ืžืฆืจื™ and Give Thanks Unto the L-rd Redux
ืงื™ื˜ Let Me Count the Ways
ืงื› Help, I Need Somebody
ืงื›ื Old Wivesโ€™ Tales
ืงื›ื‘ Zionism
ืงื›ื’ Help, I Need Somebody
ืงื›ื“ ืฉื™ืจ ื”ืžืขืœื•ืช
ืงื›ื” ืฉื™ืจ ื”ืžืขืœื•ืช
ืงื›ื• ืฉื™ืจ ื”ืžืขืœื•ืช
ืงื›ื– A Dream Deferred
ืงื›ื— A Dream Deferred
ืงื›ื˜ Help, I Need Somebody
ืงืœ Rising Action
ืงืœื Rising Action
ืงืœื‘ Sitting in Yeshiva
ืงืœื’ Rising Action
ืงืœื“ ื”ืœืœ ื”ื’ื“ื•ืœ
ืงืœื” ื”ืœืœ ื”ื’ื“ื•ืœ
ืงืœื• ื”ืœืœ ื”ื’ื“ื•ืœ
ืงืœื– Donโ€™t Immanentize the Eschaton
ืงืœื— Coda
ืงืœื˜ The Way of All Flesh
ืงืž Weโ€™ve Seen This Movie Before
ืงืžื Into Pruning Hooks
ืงืžื‘ Just Deserts
ืงืžื’ Into Pruning Hooks
ืงืžื“ Sharper than a Serpentโ€™s Tooth
ืงืžื” Concerto for all Generations
ืงืžื• ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœ and ืคืกื•ืงื™ ื“ื–ืžืจื and Playing Favorites
ืงืžื– ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœ and ืคืกื•ืงื™ ื“ื–ืžืจื and Playing Favorites
ืงืžื— ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœ and ืคืกื•ืงื™ ื“ื–ืžืจื and Heaven and Earth
ืงืžื˜ ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœ and ืคืกื•ืงื™ ื“ื–ืžืจื and The Sound of Music
ืงื  ืœื”ื•ื“ื•ืช ื•ืœื”ืœืœ and ืคืกื•ืงื™ ื“ื–ืžืจื and The Sound of Music