ื‘ืกืดื“

Kavanot: Mishlei

Thoughts on Tanach and the Davening

After almost 12 years, we have finished our study of ืกืคืจ ืชื”ื™ืœื™ื with ืกืคืจ ืฉืžื•ืืœ and ื“ื‘ืจื™ ื”ื™ืžื™ื. We could go back and learn ืชื”ื™ืœื™ื all over again; to paraphrase the declaration after finishing a ืžืกื›ืช:

ื”ื“ืจืŸ ืขืœืš ืกืคืจ ืชื”ื™ืœื™ื ื•ื”ื“ืจืš ืขืœืŸ. ื“ืขืชืŸ ืขืœืš ืกืคืจ ืชื”ื™ืœื™ื ื•ื“ืขืชืš ืขืœืŸ. ืœื ื ืชื ืฉื™ ืžื™ื ืš ืกืคืจ ืชื”ื™ืœื™ื ื•ืœื ืชืชื ืฉื™ ืžื™ื ืŸ, ืœื ื‘ืขืœืžื ื”ื“ื™ืŸ ื•ืœื ื‘ืขืœืžื ื“ืืชื™.

ืžื•ืชืื ืžื”ึพื”ื“ืจืŸ ืื—ืจ ืฉืœืžืช ื”ืžืกื›ืชื

There is always more to learn; it is always possible to go deeper. But I want to move onto another ืกืคืจ in ืชื ืดืš,โ€Ž ืกืคืจ ืžืฉืœื™, for a number of reasons. It comes next in the sequence of books of ืชื ืดืš, and it was composed by Davidโ€™s son Shlomo, so it comes next chronologically. But it is also very similar to ืชื”ื™ืœื™ื, as a series of poetic compositions about the authorโ€™s and our relationship with ื”ืงื‘ืดื”. Comparing and contrasting ืชื”ื™ืœื™ื and ืžืฉืœื™ will deepen our understanding of both, and I hope to be able to do that. I remain utterly unqualified to teach ืชื ืดืš, so I appreciate those who are willing to join me as I learn whatever I can.

The main sources for creating my ืžื”ืœืš in ืžืฉืœื™ (at least as I start out) are (in the order that I read them):

The Malbim on Mishlei book looks like it has an interesting back story; the title page reads, โ€œabridged and adapted in English by Rabbi Charles Wengrov based on an original draft by Avivah Gottleib Zornbergโ€ and Wengrovโ€™s introduction includes the lines, โ€œI am indebted to Avivah Gottleib Zornberg for a splendid first draft, done with deftness and grace, and with a fine command of English. It lightened my task considerablyโ€. It was published in 1982, before Zornberg was the Avivah Gottleib Zornberg; Genesis: The Beginnings of Desire wasnโ€™t published until 1995, and that book jacket says โ€œFor ten years, Zornberg has mesmerizedโ€ฆaudiencesโ€ฆsharing her own understanding of how life and text inform each otherโ€, so she must have just begun studying ืชื ืดืš in earnest when she wrote that โ€œfirst draftโ€. I would love to know what that back story was.

Rabbi Goldson taught at Block Yeshiva High School for many years, and is now a writer and speaker. His book Proverbial Beauty takes ืกืคืจ ืžืฉืœื™ as a collection of metaphors (which is what the ืกืคืจ says on the cover, after all), and uses the Mona Lisa and her enigmatic smile as a meta-metaphor for the โ€œSecrets for Success and Happiness from the Wisdom of the Agesโ€, as his bookโ€™s subtitle puts it.

Jehoshua Grintz was one of the first professors at Tel Aviv University. He was an academic Bible scholar who argued against the Documentary Hypothesis and for a much more traditional interpretation of ืชื ืดืš. His essay outline the structure of ืžืฉืœื™ and compares its themes to other books of ืชื ืดืš and other โ€œWisdom Literatureโ€ of neighboring countries.

Rabbi Morris reads ืกืคืจ ืžืฉืœื™ as a ืžื•ืกืจ ืกืคืจ, and uses the classical commentators to understand each pasuk as a lesson in character improvement.

I will be re-reading these as I try to develop my own understanding of each section of ืžืฉืœื™. Letโ€™s see how well it holds together.

Appendix

Proverbial Beauty only covers a few selections of ืžืฉืœื™.

  1. The Miracle of Immaturity: Chapter 1, verses 1-6
  2. The Miracle of Imperfection: Chapter 31, verses 25-29
  3. The Miracle of Dissatisfaction: Chapter 27, verse 7
  4. The Miracle of Misdirection: Chapter 13, verses 7-9
  5. The Miracle of Dependency: Chapter 27, verses 17-19
  6. The Miracle of Inexperience: Chapter 8, verses 33-35
  7. The Miracle of Conflict: Chapter 4, verses 23-27
  8. The Miracle of Limitations: Chapter 22, verses 28-29
  9. The Miracle of Shame: Chapter 12, verses 23-24
  10. The Miracle of Pain: Chapter 27, verses 21-22
  11. The Miracle of Irony: Chapter 26, verses 26-28
  12. The Miracle of Mortality: Chapter 24, verses 13-16

Mishlei Vocabulary

Mishleiโ€™s mussar message

A Wise Guy, 3/12/2024 and 3/19/2024

ืกืคืจื™ ืืžืช, 3/19/2024 and 3/26/2024

Why is a Raven Like a Writing-Desk, 3/26/2024

Phronesis and Akrasiaโ€” ืžืฉืœื™ ื:ื‘, 4/2/2024

Middle of the Roadโ€” ืžืฉืœื™ ื:ื’-ื“, 4/16/2024

Know-It-Allโ€” ืžืฉืœื™ ื:ื”-ื–, 5/21/2024 and 6/4/2024

Fatherly Adviceโ€” ืžืฉืœื™ ื:ื—-ื™ื˜, 6/18/2024

Voice of Reasonโ€” ืžืฉืœื™ ื:ื›-ืœื’, 6/25/2024

The Widening Gyreโ€” ืžืฉืœื™ ื‘:ื-ื›ื‘, 7/30/2024 and 8/6/2024

Tree of Lifeโ€” ืžืฉืœื™ ื’:ื-ื™ื—, 8/27/2024

The Status Gameโ€” ืžืฉืœื™ ื’:ื™ื˜-ืœื”, 9/3/2024

Business Adviceโ€” ืžืฉืœื™ ื“:ื-ื™ื˜, 9/10/2024

Strange Women Distributing Swordsโ€” ืžืฉืœื™ ื“:ื›-ื”:ื•, 9/17/2024

Good Information from a Man Whoโ€™s Made Mistakesโ€” ืžืฉืœื™ ื”:ื–-ื›ื’, 9/24/2024 and 10/29/2024

A Bugโ€™s Lifeโ€” ืžืฉืœื™ ื•:ื-ื™ื, 11/12/2024 and 11/19/2024

Man and Supermanโ€” ืžืฉืœื™ ื•:ื™ื‘-ื™ื˜, 12/3/2024

Playing with Fireโ€” ืžืฉืœื™ ื•:ื›-ืœื and ืžืฉืœื™ ื–, 12/10/2024 and 1/7/2025

First Person Singularโ€” ืžืฉืœื™ ื—:ื-ื›ื, 1/14/2025

In the Beginningโ€” ืžืฉืœื™ ื—:ื›ื‘-ืœื•, 1/21/2025

Catered Affairโ€” ืžืฉืœื™ ื˜, 1/28/2025

Dad Jokesโ€” ืžืฉืœื™ ื™:ื-ื˜ื–, 2/11/2025 and 2/18/2025

Silence is Goldenโ€” ืžืฉืœื™ ื™:ื™ื–-ืœื‘, 2/25/2025

The Right Weigh to Goโ€” ืžืฉืœื™ ื™ื:ื-ื™ื’, 3/4/2025

Lipstick on a Pigโ€” ืžืฉืœื™ ื™ื:ื™ื“-ื›ื‘, 3/11/2025

Inherit the Windโ€” ืžืฉืœื™ ื™ื:ื›ื’-ืœื, 3/18/2025

Animal Rights, ืžืฉืœื™ ื™ื‘:ื-ื™